ItвЂ™s almost like a double album released out of order, four years apart. Spaceman falls in the latter category, leading to a lush, enchanting, and occasionally anguished sibling to 2018вЂ™s And Nothing Hurt. The pandemic affected everyone differently, with some musicians finding themselves creatively stifled and others opening themselves to the time. ThatвЂ™s meant quite literally the songs on Everything Was Beautiful are some of the most sonically dynamic of Jason вЂњJ. Nine albums in, Spiritualized are more dynamic than ever. Never has ennui and casual nihilism lamented over a throbbing bass line felt so infectious life may be pretty shit, but at least weвЂ™ve got Wet Leg.

Our April Artist of the Month burst onto the indie scene seemingly out of nowhere and armed with witty, droll lyrics about lifeвЂ™s anxieties, all delivered with deadpan vocals (toss in a Mean Girls reference, too) and a wry smile. Just when it had felt like we had been nearing the end of UK post-punkвЂ™s heyday from the last couple of years, in come Wet Leg. Though YorkeвЂ™s tendency to find clarity in the murkiest of headspaces - as he does best on the darkly comforting вЂњFree in the KnowledgeвЂќ - leaves him perfectly suited to face daily uncertainties like вЂњWe DonвЂ™t Know What Tomorrow Brings,вЂќ The Smile can at least extract some pleasure out of it. The Smile вЂ“ A Light for Attracting AttentionДЄ Light for Attracting Attention, the debut album from Thom Yorke, Jonny Greenwood, and Sons of KemetвЂ™s Tom SkinnerвЂ™s The Smile project, delights in the balance of contradictions. Ahead of their highly-anticipated North American stadium tour, the band unveiled Zeit, a new LPвЂ™s worth of wild yet infectious songs that cover such topics as plastic surgery (вЂњZIick ZackвЂќ), large-breasted women (вЂњDicke TittenвЂќ), and unprotected sex (вЂњOKвЂќ). When the pandemic shut down RammsteinвЂ™s plan to tour extensively in support of their 2019 untitled album, the German industrial masters hit the studio to record a new album. The band retains its usual playfulness and California-centric funk rock, but thereвЂ™s a refreshing exhale from Red Hot Chili Peppers on this effort, and itвЂ™s one that finds one of the worldвЂ™s biggest bands operating with freedom and vigor. Red Hot Chili Peppers вЂ“ Unlimited LoveД¬onsequence cover stars Red Hot Chili PeppersвЂ™ Unlimited Love is their first album with John Frusciante back in the band since 2006, and that reunion feeling is happily on display throughout the album. The Overload is a showcase for the bandвЂ™s range, with emotive frontman James Smith showcasing both vulnerability and a sense of humor across 11 canвЂ™t-skip tracks. The debut LP from LeedsвЂ™ finest has everything you want out of a post-punk album: angular riffs, astute observations about class, and an extra-thick British accent.

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